It also has lo-cut and hi-cut filters to control the post-filter distortion.
The distortion offers a variety of flavors with 4 included types: Darkdrive, Overdrive, Grunge and Tube. Besides the master output level, there’s also a master maximizer.ĭistortion and compressor units allow you to further shape your sounds.
Move your mouse around the display and SubLab will show the notes that go with the frequencies. This displays the sub, main bass and harmonics of each individual sound source so you can see where different parts of your bass sound are in the frequency spectrum. On the right hand side of the interface we find the master output section. Split into lows (up to 65Hz) and harmonics, X-Sub is an interesting way to fatten up your sound by generating sympathetic harmonics within the sub-bass range. The mixer lets you mix these two sound sources, alongside the X-Sub psychoacoustic sub-bass oscillator. The sampler also has controls for fine tune, sample delay, and lo-cut and hi-cut of frequencies.Īn analog modeled multimode filter (lowpass, highpass and bandpass) can be applied to both the synth and sampler sections, with individual control over the amount that is applied. The root note of the sample is automatically detected, but you can change it manually if you desire. Glide options let you set the curve and glide duration (from instantly to a full bar), and it has a legato mode. With the pitch tracking active, the sample will follow the notes you play so it’s real easy to create 808 basslines. When in looped mode you can use the xfade to smooth out the loop to avoid clicks. You can set the start and end position of the sample playback, as well as fade in/out. Want to use your own samples? Simply drag and drop it in the sampler section and your sample is automatically imported and ready for use. The sampler section comes with 250 sampled kick drums, kick transients and 808 sounds from drum machines from Roland, Jomox, Vermona, Dave Smith Instruments, Korg, Waldorf, Intellijel, and more. The synth section is straightforward with sine, triangle, saw and square waveforms, and ADSR envelopes for volume, filter and pitch.
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